From Stage to Research: Getting your research ideas off the ground

Faculty

Dr. Dowdall is a board-certified surgeon in Otolaryngology – Head and Neck Surgery at the University of Nebraska Medical Center/Nebraska Medicine. She received her Performing Arts Medicine Certification from PAMA in 2016. She specialized in a multi-disciplinary approach for care of the professional voice, laryngeal contributions to breathing disorders, gender affirming voice care and performing arts medicine. She has expertise in advanced diagnostics, office-based laser surgery and a holistic approach for complex rehabilitation. She has experience treating touring performers, opera and musical theatre companies and especially enjoys caring for students and developing voices.

Dr. Dowdall currently works with the faculty at University of Nebraska – Omaha, School of Music, College of Fine Arts and Media and School of Special Education and Communication Disorders and frequently lecturers to undergraduate and graduate, voice, music, choir, theatre arts and speech pathology students. She currently serves on the Education Committee for the Performing Arts Medicine Association and is an active reviewer for several journals. She has previously held a Harvard faculty position and has been an invited speaker for Berklee College of Music in Boston and Valencia, Spain, New England Conservatory, Harvard Acting, and Harvard CME courses. She regularly attends and presents her research at the Performing Arts Medicine Association, The Voice Foundation, Fall Voice, the American Academy of Otolaryngology – Head and Neck surgery. She has received awards for clinical collaboration, education, leadership and research innovation.

Dr. Dowdall is known for her patient-centered approach and prefers to collaborate to create an integrated and holistic treatment plan for patients. In Dr. Dowdall’s free time, she enjoys spending time with her son, singing, and trying new things.

Kristy Carlson, PhD is the Research Director in UNMC’s Otolaryngology, Head & Neck Surgery department specializing in education and social sciences research. Kristy earned her Bachelor of Science at UNL, her Master of Science at Purdue University, and her PhD at UNL. Prior to joining UNMC she worked in school health, information technology project management, marketing, and corporate training. Her areas of interest and expertise include gerontology, survey tool creation, and publication of quantitative and qualitative research studies. She provides formal and informal education to students, residents, and faculty regarding all aspects of a research project from conception through dissemination. Since 2018, Dr. Carlson has published 4 articles as a lead author and contributed to 6 publications. Five additional manuscripts are currently under review.

Andrew Schaeffer, BA, CSCS, USAW
Invited Speaker

Andrew Schaeffer has been a fitness professional and certified strength and conditioning specialist for twelve years. As a coach, he specializes in strength training, olympic weightlifting, and the roots of behavior change. He works with the general population and with performing artists from professional dancers to broadway performers. He is currently pursuing a master’s degree in mental health counseling and has a particular interest in the role that systems such as culture and society play in health, wellness, and performance.

Antoine Simmons, MA, CSCS
Invited Speaker

My name is Antoine Simmons, and I have been a fitness professional for 13 years. I have my Master’s degree from Columbia University in Motor Learning and Control, in addition to having certifications in strength and conditioning, nutrition, corrective exercise, wave vibration training, and kettlebells. I’ve worked with collegiate, professional, and Olympic athletes; as well Navy SEALS, television personalities, professional dancers, Broadway performers, and laypeople. My philosophy centers on the notion that peak performance is relative. It isn’t “one size fits all,” rather each person requires an approach that will meet their unique demands. Therefore, any peak performance regimen should reflect and cater to those individual demands.

Thursday, July 6, 2023

Schedule subject to change (Last updated March 27, 2023)

		Worksheet
TIME	Moderator	Speaker	TOPIC/TITLE
7:00	MS/AW		REGISTRATION
8:00		Marissa Schaeffer, Aviva Wolff, Symposium Co-Chairs, and Jason Hu, PAMA President	Welcome and Introduction – Performance Transformed: Exploring emerging themes in a changed world
8:20		Michael G Stewart, MD	Weill Cornell Medicine Welcome
8:30		Randy Dick	AATA Welcome
8:45		Tina Wang, MD	Richard J Lederman Lecture : Hypermobility Syndromes in Performing Artists
9:45		Laurel Abbruzzese, EdD, PT	Diversity, Equity, Inclusion in Performing Arts Medicine
10:15		Coffee, Break, Exhibits
	TBD	ALL	PLENARY 1 MENTAL HEALTH ISSUES
10:45		Grieshofer	Is acting a risky business? What does the Creative work of acting entail and is resilience a central factor in the actor’s ability to perform
11:00		Yang	Healthy Queens: Beauty Pagents and Drag Performance
11:15		Glasheen-Dentino	Polyvagal Theory and the Alba Method: Enhancing Mental Wellness through acting technique
11:30		Roos	Experiences of Beta-blockers for Music Performance Anxiety
11:45		Honrado	To feel or not to feel: Why do metropolitan dancers use marijuana?
12:00		ALL	Q and A
12:15		LUNCH & Comm Mtgs		SPEAKER	TITLE
	TBD	DANCE	PLENARY 2 CONCURRENT MUSIC/DANCE	MUSIC	PLENARY 2 CONCURRENT MUSIC/DANCE
1:15	Katherine Yao, MD (DANCE)	Laurie Glasser	Return to Dance protocol	Levenderis	The prevalence of MSK symptoms in double bass players ?
1:30		Hulsebosch-Kiezer	Health monitoring in elite vocational dancers	Azar	Barriers and facilitators to including injury prevention education within drum kit curricula: perceptions of independent instructors giving private lessons
1:45		Mcneal-Ison	When the shoe fits: the role of health related education in injury prevention in professional ballet	Macdonald	A qualitative analysis of injury prevention education among oboe educators
2:00		Houck	NYS Worker’s Compensation and the associated challenges in PT for broadway performing artists	Cruder	Risk factors of playing related disorders among European music students
2:15		Schaeffer	Group strength training for dancers	Durward	Hand-arm vibration exposure in drummers
2:30		ALL	Q and A	Wijsman	Training sound performers: an international needs-based music teacher survey
2:45		ALL/COFFEE BREAK – EXHIBITS	POSTER PRESENTATIONS WITH AUTHORS – SESSION 1 MUSIC	All	Q and A
3:15	TBD	Hope Boykin	KEYNOTE: Hopeful Moments
4:00		Local 802, ACMA, Alton Barron/MTFSA	Resources for Performing Artists
5:00		Adjourn
5:15		TRIO OF OZ – Omar Hakim/Rachel Z	WELCOME RECEPTION – Cocktails and jazz

7:00 am	Registration
8:00 am	Welcome and Introduction – Performance Transformed: Exploring emerging themes in a changed world – Marissa Schaeffer; Aviva Wolff; Symposium Co-Chairs. With Jason Hu, MD, PAMA President
8:20 am
8:30 am
8:45 am
9:45 am

Tina Wang, MD
Lederman Lecturer

Dr. Tina J Wang is a board certified Physical Medicine & Rehabilitation medical doctor with a special focus in the emerging field of Fascia. Dr. Wang is an Assistant Professor of Medicine for University of California Riverside and Loma Linda School of Medicine and is core faculty for the musculoskeletal curriculum including the use of ultrasound based diagnosis and interventions. Her published research focuses on ultrasound characteristics of fascial dysfunction to improve clinical understanding, diagnostics, and treatments of myofascial pain syndromes, Ehlers Danlos Syndromes and Hypermobility Spectrum Disorders.

Melisa Bonetti
Guest Artist/Speaker

Dominican-American Mezzo-Soprano, Melisa Bonetti, is a versatile singer whose experience encompasses a vast amount of new works and premieres, as well as large traditional operas and concert works. Exciting highlights this season include mezzo-soprano soloist at Carnegie Hall for the Bach Magnificat and Christmas Oratorio with the Cecilia Chorus of NY, and four opera premieres (or premiere workshops); A Marvelous Order by Judd Greenstein and Tracy K. Smith, On the Road to Arivaca by Rosino Serrano and Susan Galbraith, Southern Crossings by Zaid Jabri, Yvette Christiansë & Rosalind Morris, and La Alcaldesa by Laura Jobin-Acosta and Sandra Flores-Strand. Having had the opportunity to create in new works has lead Melisa to sing in many genre-fusion productions- jazz-operas, rock-operas, latin-operas, pop-operas, hip-hop/classical fusion pieces, and more. Her passion lies in the diversity of mixing different musical influences and expanding whose stories are being told. Melisa has been hailed by Opera today as “a warm, supple mezzo that struck all the right impressions” and as “commanding a wonderful presence in the lower middle voice but also easily soaring heavenward with a well-schooled top.” Melisa is committed to the importance of equality and diversity within the artistic world, which she feels can strongly be served through connecting with the youth. She has dived into work as an educator in various musical outreach and community programs throughout the NYC area.

Laurie Anderson
Guest Artist/Speaker

Laurie Anderson is one of America’s most reknowned – and daring – creative pioneers. Known primarily for her multimedia presentations, she has cast herself in roles as varied as visual artist, composer, poet, photographer, filmmaker, electronics whiz, vocalist, and instrumentalist.

O Superman launched Anderson’s recording career in 1980, rising to number two on the British pop charts and subsequently appearing on Big Science, the first of her seven albums on the Warner Brothers label. Other record releases include Mister Heartbreak, United States Live, Strange Angels, Bright Red, and the soundtrack to her feature film Home of the Brave. A deluxe box set of her Warner Brothers output, Talk Normal, was released in the fall of 2000 on Rhino/Warner Archives. In 2001, Anderson released her first record for Nonesuch Records, entitled Life on a String, which was followed by Live in New York, recorded at Town Hall in New York City in September 2001, and released in May 2002.

Anderson has toured the United States and internationally numerous times with shows ranging from simple spoken word performances to elaborate multimedia events. Major works include United States I-V (1983), Empty Places (1990), The Nerve Bible (1995), and Songs and Stories for Moby Dick, a multimedia stage performance based on the novel by Herman Melville. Songs and Stories for Moby Dick toured internationally throughout 1999 and 2000. In the fall of 2001, Anderson toured the United States and Europe with a band, performing music from Life on a String. She has also presented many solo works, including Happiness, which premiered in 2001 and toured internationally through Spring 2003.

Anderson has published six books. Text from Anderson’s solo performances appears in the book Extreme Exposure, edited by Jo Bonney. Anderson has also written the entry for New York for the Encyclopedia Brittanica and in 2006, Edition 7L published Anderson’s book of dream drawings entitled “Night Life”.

Laurie Anderson’s visual work has been presented in major museums throughout the United States and Europe. In 2003, The Musée Art Contemporain of Lyon in France produced a touring retrospective of her work, entitled The Record of the Time: Sound in the Work of Laurie Anderson. This retrospective included installation, audio, instruments, video and art objects and spans Anderson’s career from the 1970’s to her most current works. It continued to tour internationally from 2003 to 2005. As a visual artist, Anderson is represented by the Sean Kelly Gallery in New York where her exhibition, The Waters Reglitterized, opened in September 2005. In 2008, the Museum of Modern Art acquired her “Self-Playing Violin” which was featured in the “Making Music” exhibition in Fall 2008.

As a composer, Anderson has contributed music to films by Wim Wenders and Jonathan Demme; dance pieces by Bill T. Jones, Trisha Brown, Molissa Fenley, and a score for Robert LePage’s theater production, Far Side of the Moon. She has created pieces for National Public Radio, The BBC, and Expo ‘92 in Seville. In 1997 she curated the two-week Meltdown Festival at Royal Festival Hall in London. Her most recent orchestra work Songs for Amelia Earhart. premiered at Carnegie Hall in February 2000 performed by the American Composers Orchestra and later toured Europe with the Stuttgart Chamber Orchestra conducted by Dennis Russell Davies. The piece was performed as part of the Groningen Festival honoring Laurie Anderson in Fall 2008 with the Noord Nederlands Orkest.

Recognized worldwide as a groundbreaking leader in the use of technology in the arts, Anderson collaborated with Interval Research Corporation, a research and development laboratory founded by Paul Allen and David Liddle, in the exploration of new creative tools, including the Talking Stick. She created the introduction sequence for the first segment of the PBS special Art 21, a series about Art in the 21st century. Her awards include the 2001 Tenco Prize for Songwriting in San Remo, Italy and the 2001 Deutsche Schallplatten prize for Life On A String as well as grants from the Guggenheim Foundation and the National Endowment for the Arts. She recently collaborated with Bran Ferren of Applied Minds, Inc to create an artwork that was displayed in “The Third Mind” exhibition at the Guggenheim Museum in New York in Winter 2009.

In 2002, Anderson was appointed the first artist-in-residence of NASA which culminated in her 2004 touring solo performance “The End of the Moon”. Recent projects include a series of audio-visual installations and a high definition film, “Hidden Inside Mountains”, created for World Expo 2005 in Aichi, Japan. In 2007 she received the prestigious Dorothy and Lillian Gish Prize for her outstanding contribution to the arts. In 2008 she completed a two-year worldwide tour of her performance piece, “Homeland”, which was released as an album on Nonesuch Records in June, 2010. Anderson’s solo performance “Delusion” debuted at the Vancouver Cultural Olympiad in February, 2010 and toured internationally throughout 2011. In 2010 a retrospective of her visual and installation work opened in Sao Paulo, Brazil and later traveled to Rio de Janeiro.

In 2011 her exhibition of all new work titled “Forty-Nine Days In the Bardo” opened at the Fabric Workshop and Museum in Philadelphia. That same year she was awarded with the Pratt Institute’s Honorary Legends Award. In January of 2012 Anderson was the artist-in-residence at the High Performance Rodeo in Calgary, Alberta where she developed her latest solo performance titled “Dirtday!” Her exhibition “Boat” curated by Vito Schnabel opened in May of 2012. She has recently finished residencies at both CAP in UCLA in Los Angeles and EMPAC in Troy New York. Her film Heart of a Dog was chosen as an official selection of the 2015 Venice and Toronto Film Festivals. In the same year, her exhibition Habeas Corpus opened at the Park Avenue Armory to wide critical acclaim and in 2016 she was the recipient of Yoko Ono’s Courage Award for the Arts for that project. Anderson lives in New York City.

Ryan Dusick
Panel Guest Artist

Ryan Dusick is an Associate Marriage & Family Therapist with an MA in Clinical Psychology and the founding drummer of the world’s most popular band, Maroon 5.

As a boy, he dreamt of pitching for the Dodgers and writing adventure novels. Arm injuries sidelined his burgeoning baseball career, just as rock music became his new passion and purpose. Founding the band Kara’s Flowers in 1994 with fellow Brentwood High School students Jesse Carmichael, Mickey Madden, and Adam Levine, Ryan worked tirelessly through his college years at UCLA before the band changed its name to Maroon 5 and finally had its first hit record, Songs About Jane. Multiple hit songs, two Grammy Awards, and 20 million albums sold later, Ryan found himself suffering and without direction as his career as a performer came to an end, just as it was taking off.

Struggling with physical and mental health challenges, Ryan finally overcame his struggles in 2016, when he began his journey of recovery, culminating in a new life path full of meaning, purpose, and fulfillment. Now working as a mental health professional at The Missing Peace Center for Anxiety in Agoura Hills, CA, Ryan is spreading the message that recovery is possible, and some astounding things can come with it.

Learn more about Ryan’s book, Harder to Breathe

Irem Eliassen, BS
Alice G Brandfonbrener Young Investigator Award Winner

Irem Eliassen is a physiotherapist who graduated from Hacettepe University Physical Therapy and Rehabilitation Department in 2009. Since 2015, she has been running Norway’s first performing Arts medicine clinic called Scenekunstklinikken in Bergen. Besides being a therapist, she is an Argentinian tango dancer who represents Norway in the world championship of Argentinian Tango. Through Scenekunstklinikken, she has been working with Bergen Philharmonic Orchestra, Bergen Philharmonic Youth Philharmonic Orchestra, The Royal Norwegian Navy Band, Carte Blanche and Mer Film. Furthermore, she is physiotherapist for elite springboard divers in Bergen Stupeklubb. She has also given talks about basic shoulder anatomy for musicians, breathing and pelvic floor exercises for brass instrumentalists and stage fright. Once a week she teachs technique classes concerning the ergonomic use of high heels, and exercises to prevent injuries to feet and ankles for dancers. She had been studying Performing Arts Medicine at University College London in 2020-2022.

Britney Brinkman, PhD
Invited Speaker

Dr. Britney Brinkman is an Associate Professor in the Psychology Department and serves as the Director of Clinical Training and Placement Coordinator for the PsyD program in Clinical Psychology at Point Park University. She is a licensed psychologist in the state of Pennsylvania and has worked extensively with children, adolescents and young adults. She has provided individual therapy and clinical supervision for therapy for pre-professional and professional dancers. Dr. Brinkman has collaborated with Minding the Gap, an organization seeking to support the mental health of dancers and transform dance culture.

Dr. Brinkman leads the Social Justice Psychology research team and specializes in community-engaged research. She has published numerous articles and book chapters related to community-based research, youth activism, social justice, and program development and evaluation. Her recent book Girls’ Identities and Experiences of Oppression in Schools: Resilience, Resistance, and Transformation was published in 2022. Dr. Brinkman provides community and organizational workshops and trainings related to diversity, equity, and inclusion, supporting mental health in schools and workplaces, mindfulness interventions, and culturally responsive mental health first aid.

Juilliard Medical Staff
Invited Panel Presenters

Physical Therapy

The physical therapy service at Juilliard is unique in that students from all of the performing-arts disciplines —music, dance, drama, and voice—are treated in one setting. Free physical therapy is available to all students and appointments are scheduled every 30 minutes. Students in all disciplines are encouraged to seek guidance and take preventative measures by scheduling a physical therapy appointment before an injury becomes debilitating. The large physical therapy suite (located on the 22nd floor of the Meredith Willson Residence Hall Room 2204B) is equipped with modalities such as ultrasound, electro-stimulation and paraffin, Pilates machine, and an array of exercise apparatus.

All physical therapists have extensive experience and training in the treatment of performing artists. The therapist evaluates the student’s injury and technique to develop an individualized treatment program. Treatment focuses on manual therapy, alignment, and therapeutic exercise to improve muscle balance and movement strategies. The goal is to educate the student in self-care for healthful performance. The physical therapist will refer some students (depending on their injury) for consultation with the on-site consulting physiatrist who sees patients in the Health Services clinic on Wednesdays.

Occupational Therapy

The occupational therapist (O.T.) also cares for students from all disciplines and sees acute injuries or ongoing problems in upper extremities (shoulder, elbow, wrist and hand). Appointments for occupational therapy are scheduled every 30 minutes.

Upper extremity therapy is carried out primarily by the occupational therapist who treats the current injury, then works to regain previous conditioning, and to avoid recurrence. Each student receives individual care to meet the unique challenges of their schedule of practicing and performance. The occupational therapist will refer some students (depending on their injury) for consultation with the on-site physiatrist who sees patients in the Health Services clinic on Wednesdays.

The O.T. sees all types of hand, wrist, elbow and shoulder injuries. The first evaluation includes tests and measurements to determine a unique treatment plan with immediate and long term goals. Treatment may include modalities, joint and soft tissue mobilization, splinting, active exercises, strengthening and conditioning. To effect the most useful treatment the O.T. also works with the student in their performing medium. The primary goal for treatment is a full and successful return to performance.

Chiropractic Care

Chiropractic Care for the performing artist – music, dance, drama and voice – is an outgrowth of sports medicine, yet distinctive for the specialized needs of the performing artist. Specializing in conservative care of the neck and back, it incorporates spinal alignment, soft tissue imbalances, posture and decreasing stressors placed on the human frame.

Chiropractic performing arts care deals not only with the elimination of pain and stress on the muscular skeletal system but also creating the best conditions for optimal performance. Chiropractic care at Juilliard achieves this through close collaboration with physical therapy and a team approach to care.

Kathleen McGuire Gaines
Invited Speaker

Kathleen is a former dancer, a writer, and a fundraiser. She is also one of millions of people who have battled depression.

As a dancer Kathleen trained at the Pittsburgh Ballet Theatre School and the San Francisco Ballet School in their pre-professional divisions. She also spent summers at the School of American Ballet and the Chautauqua Festival program.

Over the last 10 years, Kathleen has written more than 100 articles on dance for Dance Magazine, Pointe, Dance Spirit, and Dance Teacher magazines. As a result she has had the opportunity to conduct nearly 1,000 interviews with dancers, teachers and dance medical professionals. In 2014 she was named a contributing writer to Dance Magazine.

Kathleen is also a dedicated nonprofit development professional and was the Director of Development at the Pittsburgh Parks Conservancy where she worked for more than 7 years raising money to support public parks. She serves as a member of the development committee for the International Association of Dance Medicine and Science.

Minding the Gap was founded as a reaction to the outpouring of support Kathleen received after she posted the article Why are we still so bad at addressing dancers’ mental health on the Dance Magazine website in the summer of 2017. Her ambition is to enact a movement which results in mental health being regarded with the same seriousness as physical health in dance culture.

Laurie Glasser, MD
Invited Speaker

Laurie L. Glasser, M.D., is a renowned quadruple board-certified sports medicine physician with a passion for treating the injuries of dancers and performing artists. Her extensive training and experience as a former dancer have given her a comprehensive perspective on the physical demands and unique injuries of performing artists.

As a member of the International Association for Dance Medicine and Science (IADMS), the American Medical Society for Sports Medicine (AMSSM), and the American Institute of Ultrasound in Medicine (AIUM), Dr. Glasser remains at the forefront of sports medicine and dance medicine research.

Dr. Glasser’s practice at Orthopaedic Institute Brielle Orthopaedics in New Jersey is primarily focused non-surgical sports medicine and evidence-based treatment of athletes and dance and performing artists’ injuries. Her research interests are preventing and treating reinjury in athletes. In her daily sports medicine practice, she incorporates the use of musculoskeletal ultrasound technology which allows her to instantly assess and diagnose many injuries right in the office. Her compassionate and personalized care and rehabilitation approach is available to dancers at every level from novice to professional.

Lucinda Halstead, MD
Invited Speaker

Lucinda Halstead, MD is an Associate Professor in the Departments of Otolaryngology- Head & Neck Surgery and the Department of Pediatrics at the Medical University of South Carolina. Dr. Halsteadâ€™s interests in laryngology, voice, performing arts medicine, swallowing and pediatric otolaryngology led her to found the MUSC Voice Center in 1987. In 2000, the Voice Center expanded and she became the Medical Director of the MUSC Evelyn Trammell Institute for Voice and Swallowing. She is Past President of the Performing Arts Medicine Association and the laryngologist for the internationally renowned Spoleto Festival USA. She lectures nationally and internationally on the topics of vocal health, disorders of the singing voice, laryngopharyngeal reflux disorders and pediatric voice and swallowing disorders. She is a member of The Voice Foundation, Collegium Medicorum Theatri, and the American Society of Pediatric Otolaryngology, amongst others.

Susan Raeburn, PhD
Invited Panel Presenter

Dr. Susan Raeburn is a licensed clinical psychologist in independent practice in Oakland, CA with a special interest in working with performing artists. She attended U.C.L.A. (BA), San Francisco State University (M.A.), and the Wright Institute, Berkeley (PhD). Following internship training at Stanford University Medical Center, she was a staff psychologist there in the Department of Psychiatry and Behavioral Medicine (1983-1992). She later worked as a staff psychologist in Chemical Dependency Services at Kaiser Permanente Medical Center, Walnut Creek, CA (1992-2016).

In addition to her clinical practice, Susan has published numerous peer-reviewed articles on eating disorders, addictions, and musician mental health. With Eric Maisel, she co-authored Creative Recovery: A Complete Addiction Treatment Program That Uses Your Natural Creativity (Shambhala, 2008.) Susan has been active at music industry conferences (South by Southwest, North by Northwest, NARAS, The Future of Music Coalition, The Experience Music Project), The College Music Society, and the Performing Arts Medicine Association where she is on the Editorial Board of their journal, Medical Problems of Performing Artists.

She contributed two chapters in Touring and Mental Health: The Music Industry Manual from Omnibus Press/London (2023).

As an amateur guitarist/singer, Susan considers one of her most meaningful qualifications in working with performers is being the daughter of touring musicians, big band leader Boyd Raeburn and jazz vocalist Ginnie Powell.

Marissa T. Schaeffer, PT, DPT, OCS, CSCS
PAMA Symposium Committee Co-Chair

Marissa T. Schaeffer, PT, DPT, OCS, CSCS, (she/her) is the owner of FlySpace Physical Therapy. She is a graduate of the SUNY Purchase College Conservatory of Dance and earned her doctorate in physical therapy from Columbia University. She has worked as a senior therapist at Alvin Ailey American Dance Theater, the Limón Dance Company, HopeBoykinDance, Steps on Broadway, St. Ann’s Warehouse, Roundabout Theatre, Freestyle Love Supreme and more! She has presented at multiple dance medicine and science conferences and has written and contributed to articles in Dance Magazine, Dance Teacher Magazine and Dance Studio Life. Marissa is also a published author in the Journal of Dance Medicine and Science.

Aviva Wolff, EdD, OT, CHT
PAMA Symposium Committee Co-Chair

Aviva Wolff, EdD, OT, CHT is an occupational therapist, clinician-scientist with experience working with performing artists and individuals with upper extremity musculoskeletal overuse injuries. She consults for the Julliard School, and runs the upper extremity clinical movement analysis programs and biomechanics research at the Leon Root, MD Motion Analysis Laboratory at Hospital for Special Surgery in New York.

Her research interest is in the prevention and treatment of musculoskeletal occupational overuse injuries. Dr. Wolff has served in leadership capacities in multiple professional organizations, and has published multiple papers and book chapters. She is currently President-Elect of the American Hand Therapy Society.

Kathleen Davenport, MD
Invited Speaker/Panel Presenter

Kathleen L. Davenport, M.D. is a Sports, Performing Arts and Dance Medicine physician. She is the Director of Physiatry at HSS FL. She completed her Doctorate of Medicine (M.D.) at the University of South Florida in Tampa, FL, where she received an award for Excellence in Medical Humanities and the Joseph Collin’s Foundation of New York Scholarship. Dr. Davenport completed her residency in Physical Medicine and Rehabilitation at the University of Washington in Seattle, WA. While there, she helped found Seattle Performing Arts and Dance Medicine (SeaPAM), including a free dance medicine clinic. She graduated residency with the Outstanding Resident Research Award, having completed research on dance injuries, dancer access to healthcare, and concussions in soccer players. Dr. Davenport then completed a Spine and Sports Fellowship at the Hospital for Special Surgery in New York, NY, where she worked with dance medicine physicians and published articles on hip injuries, and platelet rich plasma injections. Dr. Davenport is the Company Physician for Miami City Ballet, serves as Vice President/President-Elect for IADMS, and is past Co-Chair of the Dance/USA Task Force on Dancer Health. She is active in research and lectures nationally and internationally to advance wellness in athletes of all abilities and disciplines.